Translanguaging and visuality: Translingual practices in literary art
نویسندگان
چکیده
منابع مشابه
Literary Aspects in New Media Art Works
In her article "Literary Aspects in New Media Art Works" examples of new media literature in the works of While Železnikar is primarily a net interventions, the literary segments in uses them to initiate a happening. works which require a readerly perception flavor of such works which can later offer works of art. > ISSN 1481-4374 <http://docs.lib.purdue.edu/clcweb Purdue University Press , the...
متن کاملE-Literature, New Media Art, and E-Literary Criticism
In his article "E-Literature, New Media Art, and E-Literary Criticism" Janez Strehovec explores the commonalities between electronic literature and new media art. Rather than deploying the traditional conceptual apparatus of e-literary criticism directed first and foremost to the new media elements of e-literature, Strehovec takes into account approaches from current theories in the social scie...
متن کاملTowards an art of rhetoric in interactive literary works
In this contribution, I identify rhetorical figures that are specific to interactive writing : figures of manipulation (meaning gestual manipulation). It’s a category on its own, along with figures of diction, construction, meaning and thought. In many computer art works, the artists use the figures of manipulation to introduce a loss of grasp. What is emphasized in such figures is the coupling...
متن کاملskopos theory and translating strategies of csis in translaed literary texts from english into persian
abstract translation has become a cultural act which plays a significant role in human life. with the emergence of functional translation theories, and skopos theory in particular, translation has been considered as a purposeful, interpersonal and intercultural activity which is produced for particular recipients and directed by a specific purpose. this purpose determines the translatio...
15 صفحه اولPractices of Art
However far the work of art may form a world inherently harmonious and complete. still. as an actual single object. it exists not for itself, but for us, for a public which sees and enjoys it, [so that] every work of art is a dialogue with everyone who confronts it.. . . At certain epochs [however] the public may be corrupted by a highly praised 'culture', that is by having put into its head th...
متن کاملذخیره در منابع من
با ذخیره ی این منبع در منابع من، دسترسی به آن را برای استفاده های بعدی آسان تر کنید
ژورنال
عنوان ژورنال: Applied Linguistics Review
سال: 2015
ISSN: 1868-6303,1868-6311
DOI: 10.1515/applirev-2015-0022